Black Calla Lily
A photograph flattens it. In motion, the depth it was built with comes forward.
A photograph flattens it. In motion, the depth it was built with comes forward.
Layered by hand until the surface holds its own light and shifts with the room.
Tap any piece to step straight up to it inside the gallery and watch it come alive.
She Blooms Through It All
57 × 43 × 6.5 in
White Calla Lily
32 x 48 x 3 in
Two States of Life
24 x 48 x 6 in each · Diptych
Set You Free
43 × 57 × 3 in
Dream
32 x 40 x 6 in
Unstoppable Heart
32 x 48 x 1¾ in
Before the Climb
43 x 57 x 4 in
I See You. I Am You. We Are One
48 x 48 x 2 in
Vision of the Soul
32 x 48 x 1¼ in
Quiet Power
32 x 48 x 8 in
Surrender to Serenity
32 x 48 x 1¼ in
Live the Life You Want
48 x 60 x 3 in
My Protection
32 x 48 x 3 in
I Am Sorry, Prayer
48 x 60 x 3 in
The Hand Dealt
48 x 48 x 1⅓ in
Intense Emotion
32 x 48 x 6 in
Black Calla Lily
32 x 48 x 3 in
Deep Within
32 x 48 x 1¾ in
You Are Amazing - See Yourself
48 x 48 in
Blue Orchid
Mixed media
Window into Your Peace
48 x 48 in
Raindrop Peace
24 x 36 x ½ in
The Blue Peony
Sold
Elephant
Sold
The Pink Peony
Sold
Wisdom & Power
96 x 24 x 5-7 in
Art should do more than decorate a wall. It should transform the experience of a space.
Twenty-six pieces hung in a private gallery built for this work. Step inside, move from piece to piece, and watch each one come alive.
Enter the Gallery
I create sculptural mixed-media works because I believe art should do more than decorate a wall. It should transform the experience of a space.
In a world saturated with speed, screens, and constant visual stimulation, I am interested in creating objects that invite attention, presence, and sensory engagement. I want the viewer to notice how light moves, how surfaces shift, and how an environment can feel different because of a single piece.
Working between painting and relief, I build each work as both image and object. Through layered texture, reflective surfaces, saturated color, and changing light, the work changes throughout the day and reveals different qualities depending on viewing angle and environment.
My background in nursing, including years of hospice care, deeply shaped how I think about emotional space, resilience, and human experience. I became interested in how environments affect us: how certain spaces can feel protective, restorative, expansive, or alive.
Using plaster, paint, metallic finishes, glass, crystal, and resin, I transform dense physical materials into luminous forms that hold visual weight while interacting with light.
My work explores transformation, not as escape but as presence: creating objects that influence atmosphere and invite a deeper connection between people and the spaces they inhabit.
I grew up in Kyiv, Ukraine, and immigrated to the United States at twenty. For more than two decades I worked as a nurse, much of that time in hospice care. That work shaped everything about how I see the world. I learned that the spaces we inhabit affect us profoundly. I learned that beauty, when present, is not a luxury. It is a form of care.
In 2025 I started making work. Within a year I was exhibiting at Artexpo New York at the Jacob K. Javits Convention Center. I have a public installation on view at Aurora Municipal Airport in Aurora, Illinois. I just exhibited at Art Santa Fe in July 2026, and my next show is Artexpo at the Mart in Chicago in October 2026.
My mother is a Petrykivka painter (a UNESCO-recognized Ukrainian decorative art tradition) and recipient of the title Artist of Ukraine. I grew up in her studio, watching her make things with her hands before I understood what that meant. Art was always present. It was always coming.
I am based in the Chicago area. My work is built on custom wood panels using plaster, resin, metallic leaf, crushed glass, mirror, and iridescent paint. Every piece is one of a kind. Nothing is printed. Nothing is reproduced. Each one exists once, and I believe each one carries the energy I put into it.
It begins as a quiet practice. Layer over layer, poured with intention, until the piece holds a presence of its own.
If a piece speaks to you, or you have a space in mind, reach out directly. Natasha answers personally.
Custom pieces are always available. Each commission is designed for you and your space.
New pieces are released quietly, first to the people on this list. A note when something new arrives, and nothing more.